房间麦克风及其摆位

This area is tricky. Room frequency “build-ups” and “suck outs” have a major influence. Condensers are the typical choice but each room sounds different, so try every mic that’s left over. It’s a good idea to use two of the same model with the overheads.

这个区域是比较复杂的。房间频率的“驻波”和“吸声”对拾音有较大的影响。电容麦克是标准的选择但是每个房间的声音特性都不同，所以要尝试剩下的每一支麦克。用两支和OH麦相同型号的麦克是一个不错的主意。

You might think an omni pickup pattern would work well, meaning the condenser mics would hear behind as well as the sides. Maybe, but I use cardioid most of the time. Start by placing the mics about 15 feet in front of the drums, about four feet above the floor. Spread apart the mics around eight feet or more, using the bass drum as center.

你或许会认为全指向的拾音制式会更适合，这就意味着电容麦会拾到后面和旁边的声音。或许可以，但是我大多数情况下会使用心型指向。首先把麦克固定在鼓前方大约15英尺，距地板高度大约4英尺的位置。然后把两个麦克以底鼓位置为中心，分展开大约8英尺或更多。

This is what works for me in my studio, but every studio will have “sweet spots” so experiment! Even a “semi-dead room” might like room mics.

这就是我在自己录音棚里的办法，但是每个录音棚都会有拾音的“皇帝位”，所以还是试验吧！即使一个“半消声室”可能也能用房间麦克。

It is possible to use more room mics, especially if the room is big with high ceilings. If this is the case, for high distant miking, try the Neumann M50 (nickel capsule is best) which is designed to be a room mic. This mic sounds bright even when distant from the sound source. It’s a hard mic to find, but it’s great for this application.

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